The Gradually Increasing Significance of Kids See Ghosts

Creating one of the most innovative albums in a respective genre, as Cudi did with MOTM, comes with the burden of astronomical expectations and an elevated standard, which make it extremely challenging to follow up. With KSG, Cudi finds that elusive spark that made his albums from a decade earlier so visceral, evocative, and… alive. The key difference on KSG is that he’s shed his tendencies toward self-consciousness and insecurity, and replaced them with self-motivation and faith – culminating in his symbolic re-birth. Continue reading The Gradually Increasing Significance of Kids See Ghosts

REVIEW: Thundercat continues to invent his own brand of groovy and goofy soul

Thundercat is on a mission to build his own brand of funky neo soul music. On his new album, It Is What It Is, the talented bassist concocts another blend of avante garde jazz with funky bass lines and dopey humor. Thundercat throws the weirdness of an Adult Swim segment into the webs of contemporary jazz compositions to tell goofy love stories that bring his musical comics to life. Continue reading REVIEW: Thundercat continues to invent his own brand of groovy and goofy soul

REVIEW: Childish Gambino’s 3.15.20 is a sprawling example of anti-genre

   Childish Gambino does a little bit of everything on his best album yet: 3.15.20. By drawing clear influence from the likes of Frank Ocean, Prince, Kanye West, Toro y Moi, and Andre 3000, Gambino creates an eclectic and sprawling work that’s been a decade in the making. On 3.15.20, Donald Glover shifts the paradigm of what anti-genre entails in contemporary music – but his newest experiment doesn’t come without a catch. Continue reading REVIEW: Childish Gambino’s 3.15.20 is a sprawling example of anti-genre

REVIEW: Freddie Gibbs & Madlib – Bandana

For all the debates ablaze in the hip hop community, the unanimous appreciation for Freddie Gibbs and Madlib’s music is a true testament to its quality. The duo has released two albums together, Piñata (2014) and Bandana (2019), and are planning on a third installment to complete the trilogy. The rapper-producer team up combines Madlib’s pristine jazz-fusion, soul-sampling production with rapper Freddie Gibbs’s knack for storytelling that is hardcore yet full of streetwise sensibilities. The result is a sort of hip hop purism reminiscent of the early 90’s.  Continue reading REVIEW: Freddie Gibbs & Madlib – Bandana