Freezepeach Homepage
- 5 Thoughts on The Weeknd’s New Album ‘Dawn FM’
- Top Songs of 2021
- Let the Club Meeting Commence: EPIC by Pink Navel
- Kanye West Plays Super-Coordinator On Donda, His Entertaining Christian Rap Jukebox
- It’s Been A Whole [LIMBO] Year: Aminé’s Limbo Turns One
- 5 Thoughts on Isaiah Rashad’s New Album ‘The House Is Burning’
- Appreciating Twin Shadow’s Dominican-infused Rock: A Journey From His ‘Broken Horses’ EP to His New Self-titled Album
- Review: Kanye acknowledges and embraces his alter ego on ‘ye’
- Review: Questlove’s Summer of Soul (…Or When The Revolution Could Not Be Televised)
- Dusk-lit Drives Across Deserted Highways: Stay Up! by Kwajo
- GoldLink Doesn’t Try To Be Bigger Than His Music
- REVIEW: Tyler, the Creator – IGOR
- Top 5 Rap Verses of 2020
- Sunday Review: Frank Ocean Doesn’t Owe Us Anything
- J. Cole Embraces the New Era of Hip Hop and Goes Back to Rapping for Sport On The Off-Season
- Speakin’ From The Underground: A Tribute To Shock G
- Shrooms, Tunes, and a Haunted Guitar: The Making of Shakey Graves
- Cool Dry Place: Katy Kirby’s Coming of Age Debut Album
- Top 25 Rap and R&B Collaborations of All Time
- Introducing Jay Jordan: The Young Producer Making Lo-fi Beats And Channeling Hip Hop Nostalgia
- Being Part of A Global Hip Hop Collective: An Interview with Cole Hamilton from Youth // Service
- Our Favorite Albums of 2020
- Top 10 Songs of 2020
- How The Late 2000’s Hip Hop Mixtape Movement Became Immortalized
- WizKid Explores New Elements of Afrobeats Music to Inspire His Latest Album ‘Made In Lagos’
- Meditations by Caleb Giles: Growth in the Midst of a Collapsing World
- Sturgill Simpson and The Steep Canyon Rangers Land a Lethal One-Two Bluegrass Punch
- Kendrick Lamar’s ‘The Prayer’ Is a Critique of How Society Values Art
- Introducing JoeJas: The Free-spirited Hip Hop Artist Doing Everything Himself
- Chance the Rapper X Ralph Lauren Virtual Concert
- Mac Miller’s The Divine Feminine
- Presenting… Erykah Badu’s Quarantine Concert Series
- Introductions to the Dinner Party Roster
- The Gradually Increasing Significance of Kids See Ghosts
- REVIEW: Thundercat continues to invent his own brand of groovy and goofy soul
- REVIEW: Childish Gambino’s 3.15.20 is a sprawling example of anti-genre
- Here’s the best of what’s been livestreamed during the pandemic
- Top songs of 2019
- Yasiin Bey’s Negus Exhibit is the Antithesis to Streaming Consumption
- REVIEW: Freddie Gibbs & Madlib – Bandana
- REVIEW: The Black Keys Return Confidently on ‘Let’s Rock’
- REVIEW: Wilco’s ‘Ode to Joy’ Is the Band’s Best Album in Over a Decade
- REVIEW: Danny Brown – uknowhatimsayin¿
- REVIEW: Sturgill Simpson – SOUND & FURY
- REVIEW: Lana Del Rey – Norman Fucking Rockwell!
- REVIEW: Chance the Rapper’s The Big Day is full of ecstasy, but lacks in consistency
- Cardi B and Bernie Sanders Meet to Discuss the Future of America
- ‘Afilando Los Cuchillos’ Is the Soundtrack to Puerto Rico’s Political Victory
- The Artist’s Revolution: The Significance Behind Chance’s ‘The Big Day’ Release
- REVIEW: Tyler, the Creator – IGOR
- Andre 3000’s Verse On ‘Come Home’ Is Best of 2019 so Far
- REVIEW: Justin Townes Earle – Saint of Lost Causes
- Predictions for Chance & Kanye’s Good Ass Job
- REVIEW: Kanye acknowledges and embraces his alter ego on ‘ye’
- Frozen: Das Racist’s mixtapes
- 12 Reasons to Be Excited for the New Kanye West & Kid Cudi album
- Give the drummer some: Introduction to Anderson .Paak
- Childish Gambino’s ‘This is America’ video is great protest art
- REVIEW: In a year dominated by hip hop, Noname’s Telefone emerges as one of the best
- REVIEW: Frank Ocean’s Blonde is a Subdued Search for Reconciliation with his Past
- Spoken word will emerge as hip hop’s newest sub-genre
- Frank’s reality check