Kendrick Lamar’s ‘The Prayer’ is a Critique of How Society Values Art

Of the three songs leaked on September 5th, The Prayer is the closest to album-grade Kendrick in terms of sound mastering and depth of concept. In exploring the concept of dualism between art vs. artist on the track, Lamar questions why the legacy of an artistic creation must depend on the reputation of the artist’s personal character. Continue reading Kendrick Lamar’s ‘The Prayer’ is a Critique of How Society Values Art

Introductions to the Dinner Party Roster

Terrace Martin, 9th Wonder, Robert Glasper, and Kamasi Washington have come together to form a new supergroup. They blessed the world with their 7-song debut album, called Dinner Party, this past Friday. In collective form, the group is musical royalty: an elite roster made up of musicians who continue to thrive at the creative forefronts of their respective genres. Continue reading Introductions to the Dinner Party Roster

REVIEW: Thundercat continues to invent his own brand of groovy and goofy soul

Thundercat is on a mission to build his own brand of funky neo soul music. On his new album, It Is What It Is, the talented bassist concocts another blend of avante garde jazz with funky bass lines and dopey humor. Thundercat throws the weirdness of an Adult Swim segment into the webs of contemporary jazz compositions to tell goofy love stories that bring his musical comics to life. Continue reading REVIEW: Thundercat continues to invent his own brand of groovy and goofy soul

REVIEW: Childish Gambino’s 3.15.20 is a sprawling example of anti-genre

   Childish Gambino does a little bit of everything on his best album yet: 3.15.20. By drawing clear influence from the likes of Frank Ocean, Prince, Kanye West, Toro y Moi, and Andre 3000, Gambino creates an eclectic and sprawling work that’s been a decade in the making. On 3.15.20, Donald Glover shifts the paradigm of what anti-genre entails in contemporary music – but his newest experiment doesn’t come without a catch. Continue reading REVIEW: Childish Gambino’s 3.15.20 is a sprawling example of anti-genre